V(otum) S(olvit) L(ibens) M(erito)

Archaeology, Cultural Heritage, History, Culture, Museums & exhibitions, News

The symbol or Rome – a medieval replica?

From The Telegraph:

The bronze statue, which encapsulates the mythical origins of the Eternal City, is one of the star attractions in Rome’s Capitoline Museums and is reproduced on countless T-shirts, key rings and postcards.

It has always been claimed that it was forged in the fifth century BC during the Etruscan era, which predated the Roman republic and empire.

Five years ago it was subjected to carbon dating testing, which suggested that it may have been made during the Middle Ages.

But curators said the tests were inconclusive and the museum continued to insist that the wolf was an Etruscan creation dating back two-and-a-half millennia.

But the controversy was reignited yesterday, with scholars saying that in all probability it dates from the 13th century, amid suspicions that the museum disregarded the original carbon dating tests in order to preserve the potency and romance of Rome’s most abiding symbol.

“It’s a medieval work but that takes nothing away from its importance,” said Adriano La Regina, an expert on Etruscan culture from Rome’s La Sapienza University.

“From the 1700s onwards, it has been considered Etruscan. But with new studies and the carbon tests, the dating has changed.”

Experts said the wolf was made from a single cast, using a technique which was not known to the Etruscans or Romans, who would have had to forge separate pieces and then solder them together.

The museum reluctantly announced that it would amend an information plaque to reflect the renewed doubts over the wolf’s age and provenance.

“Besides the current dating, which claims that the statue was created in the fifth century BC, we’ll include the theory that it may have been made during the medieval era,” said a statement from Rome’s archaeology and heritage department.

Umberto Broccoli, a senior heritage official, said some scholars still believed the wolf was of Etruscan origin.

He said that during the Middle Ages the symbol of Rome was a lion, making it unlikely that there would have been much call for a she-wolf statue. Historians say it may have been based on an original which was cast in bronze in Constantinople in 1204, during the Fourth Crusade, but which was then lost or melted down.

According to legend, Romulus and Remus were the sons of a Vestal Virgin raped by the god Mars. They were then abandoned on the banks of the Tiber.

They were rescued by a shepherd and suckled by a she-wolf. Romulus eventually murdered his brother and went on to found Rome.

The statue includes cherub-like figures of Romulus and Remus suckling from the wolf, but they were added in the late 15th century.

Filed under: Archaeology, Rome, , , , , , , , ,

The world’s largest sunken ship museum in İstanbul

From Today’s Zaman:

The world’s largest sunken ship museum will be established in İstanbul thanks to finds from the Port of Theodosius dating back to the fourth century, which was discovered in Yenikapı during excavations in the Marmaray project, an undersea commuter tunnel linking Asia and Europe.

Scientists studying the 36 sunken ships salvaged at the Yenikapı archeological site have been able to identify the trees used in building the vessels and their methods of construction.

Professor Ünal Akkemik from the forest engineering department at the forestry faculty of İstanbul University has said that the ships, dating back to the fourth century, were mainly made of oak. Noting that they are confident of uncovering the dates and methods of construction, Akkemik said: “So far 36 ships have been retrieved during the excavations, and I have conducted wood-related assays on 27 of them. We have completed our studies on 20 vessels. These ships were built mainly using oak trees as well as plane, chestnut, pine, cypress, common ash and beech. Some vessels were largely made of oak but had chestnut for the outer portions and oak for inner components. Others were mainly constructed using pine trees.”

Excavations during the Marmaray project had uncovered several archeological sites that would open a new chapter in the history of İstanbul, the Byzantine Empire and the world. These sites include secret passages, tombs, churches, works from the Bronze Age, ports, vessels and city walls that have been unknown to us until now. The archeological site at Yenikapı uncovered the ancient Port of Theodosius and with it, 36 sunken ships dating back from the fourth century were exposed to the light of day. Scientists at the laboratories of the forestry faculty at İstanbul University conducted several studies on samples from these ships to identify the trees used in their construction as well as their dates of construction. Akkemik said he has been analyzing the samples for two years. “The samples were sent to us after the sunken ships were salvaged. We conducted various tests and identified the materials used in building these ships. Four of these vessels were galleys. The rest were light commercial vessels,” he said.

Akkemik notes that ship no. 12 from the Yenikapı archeological site was the first vessel he examined in the group. “The trees used to build this ship were oak, chestnut, common ash, beech and walnut. All of these except for walnut can be found in the Belgrade Forest [in İstanbul]. This ship was probably constructed in or near İstanbul. Hard and durable woods from oak trees were used for the skeleton. Although oak is common in Turkey, we don’t know whether the oak used in this ship was procured from Turkey or elsewhere. It may have been procured from Romania or Bulgaria,” he said.

From Today’s Zaman.

 

Filed under: Archaeology, Exhibition, , , , , , , , , , ,

Stats

  • 372,110 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 368 other followers

CATEGORIES

VSLM on Twitter

Points of interest

Archives

Follow

Get every new post delivered to your Inbox.

Join 368 other followers